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City Guide

Rock Bars in Athens: The Complete Guide

Exarcheia, Gazi and the Pireos Street Corridor: Where Athens Keeps Its Rock, Metal and Punk

Rock Bar LegendsSeptember 5, 202616 min readAthens, Greece

01Introduction

Athens is a better rock city than almost anyone tells you, and the reason nobody tells you is geography. The part of the city that visitors see — Plaka, Monastiraki, the streets under the Acropolis — contains approximately zero rock music. What it contains is taverna touts, rooftop cocktails at Mykonos prices and a lot of bouzouki. The scene is a twenty-minute walk north of that, in Exarcheia, and a similar distance west, strung out along Pireos Street through Gazi and Kerameikos towards Tavros. Once you have that map, the city opens up.

It opens up cheaply, too. A beer in a normal Athens bar runs around €5–6 (£4.30–5.15); in the Exarcheia rock bars it is often €4. A club show at AN Club — the oldest rock room in Greece — is €10–30 on presale. A mid-size touring band at Fuzz or Floyd sits somewhere around €25–40. Nothing here costs what the equivalent night costs in London, and the drinks are poured with a Greek hand, which is to say heavily.

Greece also produces far more metal than a country of ten million has any business producing, and the bands come disproportionately from this city. Rotting Christ formed in Athens in 1987 out of the Exarcheia punk and grindcore scene and went on to more or less invent Hellenic black metal alongside Necromantia and Varathron. Septicflesh formed here in 1990. Nightstalker have been doing Athenian stoner rock since the early nineties. Suicidal Angels carried the thrash end. That lineage is why a city with a battered economy still supports a dedicated metal bar, a goth-and-darkwave club, a black-metal-friendly cellar and three separate mid-size concert rooms.

The other thing to understand is the clock. Athens starts very late, even by southern European standards. A bar that is empty at ten will be three deep at one. Support bands at the club venues often go on at nine or ten with the headliner past eleven; the bigger rooms like Floyd tend to run to a stricter 8pm start. Nothing good happens before eleven in a bar, and the metro will have stopped by the time you leave, so read the transport section before you plan your night.

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From the Junta to the Blast Beat

Greek rock has a political spine. Kyttaro opened on Ipirou Street in 1970, four years into the Colonels' dictatorship, and its 1971–73 sessions became a coded youth-protest movement as much as a music scene — Dionysis Savvopoulos and Socrates Drank the Conium playing rock, folk and neo kyma to a room the censors could not quite read. The live album from those nights, Zontanoi sto Kyttaro, was the first Greek rock live recording. Fifteen years later, on 26–27 July 1985, the Panathenaic Stadium hosted Rock in Athens 85, the first big rock festival on Greek soil: Culture Club, Depeche Mode and The Stranglers on the Friday; Nina Hagen, Talk Talk, Téléphone, The Cure and The Clash on the Saturday. The Clash's set that night is generally counted as their last ever concert. And in late 1987 two teenage brothers who had been hanging around the punk and grind bands rehearsing in Exarcheia started a band called Rotting Christ.

02Exarcheia: The Neighbourhood That Made Greek Metal

Exarcheia sits just north-east of Omonia, wedged between the Polytechnic, the National Archaeological Museum and Strefi Hill. It has been the anarchist and radical-left quarter of Athens since the student uprising against the junta at the Polytechnic in November 1973, and it is the neighbourhood where the 2008 riots started after a police officer shot fifteen-year-old Alexandros Grigoropoulos on Mesolongiou Street. Every wall is painted. Half the ground floors are anarchist bookshops, self-organised spaces and record stores. The other half are bars.

It is also changing fast, and not by consent. Athens Metro Line 4 is putting a station under Exarcheia Square, work began in 2021, and the site has been guarded by riot police ever since; residents put the standing police presence in the neighbourhood in the hundreds. Airbnb has arrived, the boutique cafés have arrived, and there were large protests against the whole package as recently as May 2026. You are walking into a live argument, not a theme park.

Practically, an Exarcheia night has a very simple shape. The pedestrianised block of Mesolongiou and the top of Themistokleous fill with tables from about ten; people buy beers, sit on the kerb and stay there for hours, and the price of doing that is roughly half what it costs in Monastiraki. Nobody dresses up. You drift between three or four bars within a two-minute radius, and if there is a gig you walk five minutes downhill to AN Club or ten minutes up Acharnon to Kyttaro. That is the whole logistical problem of the neighbourhood, which is the point of it.

AN Club — the oldest rock club in Greece

Solomou 13–15, Exarcheia 106 83 | OPEN

AN Club is the one non-negotiable stop. The club dates itself to 1987 — some accounts push it back to 1983 — and calls itself the historic live venue of Athens, which for once is not marketing. It is a small, low, black room with a stage you can lean on and a sound system tuned for volume rather than clarity, and it books hard rock, punk, metal, hardcore and noise with an open-door policy towards anything with enough attitude. The autumn 2026 diary gives you the range: the Chainsaw Massacre Fest, a Merzbow show at €30, a Metal Without Mercy festival day, a Dead Moon night, and U.K. Subs booked in for March 2027. Presale tickets sit between €10 and €30. If you have one night in Athens and you want to stand in front of a band, look at what AN Club has on before you look at anything else.

Kyttaro — the grandfather of Greek rock

Ipirou 48 & Acharnon 104 39 | OPEN

Kyttaro opened in 1970 under founder Andreas Giakoumellos as a deliberate Greek answer to the Fillmore and the Marquee, and its 1971–73 run is the founding myth of Greek rock (see the callout above). It went quiet in the 1990s, reopened in October 2007, shut again through the pandemic and came back in autumn 2021. The room now takes over 800 people, which puts it between the club venues and the big halls, and the booking is broad: Greek rock and punk bands building an audience, blues nights, the odd rebetiko evening, and international metal — Wolves in the Throne Room are booked for 30 October 2026. It is a ten-minute walk up Acharnon from Exarcheia proper; the nearest metro is Victoria on Line 1.

Gagarin 205 — the other big room

Liosion 205, Kato Patisia 104 45 | OPEN

Gagarin 205 is further north again, on Liosion Avenue, and it is the venue that catches most of the touring bands who are too big for a club and not big enough for an arena. Rock is the core of the programme but it ranges wide — the autumn 2026 listings run from DUB INC in September through Joe Lynn Turner, a Mayhem and Unleashed double bill on 7 October, Iron Beast, and Xzibit in November. It sits almost on top of Kato Patisia station on Line 1, which makes it one of the easier out-of-centre venues to reach, though the surrounding stretch of Liosion is unlovely at night and worth walking with your wits about you.

Rezin — the eighties survivor

Emmanouil Benaki 53 & Tzavella, Exarcheia 106 81 | OPEN

Rezin has been on the corner of Benaki and Tzavella since 1987 and has changed almost nothing since. Low coloured light, Jim Morrison and AC/DC on the walls, rock and metal on the stereo, and a house hot chocolate that Athenians talk about with genuine reverence. There is no stage and no programme — it is a café-bar that happens to have been the rock café-bar of Exarcheia for nearly forty years. Go early, before the AN Club doors, and drink something cheap.

Blackbird

Kleisovis 5, Exarcheia 101 88 | OPEN

Blackbird is hidden in the arcade that cuts through from Akadimias Street to Kleisovis, on the smart southern edge of Exarcheia near the university buildings. Upstairs is a bar for people who take their rock records seriously; downstairs is a basement hall with a live stage that gets used for small gigs. It is the most reliably good drop-in of the Exarcheia bars — you do not need to have checked a listing.

Closer

Navarinou 12, Exarcheia | OPEN

Closer has been an Exarcheia fixture since 1999, moved once, and now trades on Navarinou as Closer Reloaded. The music is DJ-led rather than live — alternative, indie, post-punk and rock, with a bar staff who take the cocktails more seriously than the room's scruffiness suggests. It draws a genuinely mixed age range, which is rare and pleasant, and it is a good landing point if the gig you came for finishes early.

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Exarcheia, Honestly

Exarcheia is not dangerous in the way the internet suggests, and it is not the lawless zone that Greek television implies — thousands of people live, work and eat there every night. But be realistic. There is a standing riot-police deployment around the metro works on the square; on protest anniversaries (17 November for the Polytechnic, 6 December for Grigoropoulos) there can be tear gas and running clashes, and you should simply stay out of the neighbourhood on those two dates. There is open drug dealing on the north side of the square after dark and petty theft to match. Do not photograph police, squats or people at demonstrations. Keep your phone in your pocket rather than your hand. Beyond that: walk in, have a beer, behave like a guest.

03Psyrri, Monastiraki & the Centre

Psyrri is the old workshop district behind Monastiraki — leather merchants and metalworkers by day for a century, and since the 2000s the busiest small-bar quarter in central Athens. It is the compromise neighbourhood: close enough to the Acropolis to walk back to your hotel, far enough from Plaka to have a real crowd in it. The rock venues are scattered among a hundred cocktail bars, so you need addresses rather than instinct.

First, the honest warning about the tourist core. Plaka and the Adrianou Street side of Monastiraki have no rock scene at all — what they have is a dense population of bars with rock-adjacent names, menus that appear after you sit down, and staff on the pavement inviting you in. Kolonaki's long-running Rock 'n' Roll on Loukianou is a restaurant and club with an old name, not a rock bar. Treat anything within sight of the Acropolis lighting as a place to eat, not a place to hear a band.

The dividing line is roughly Ermou and Athinas Street. West and north of those — Sarri, Ogigou, Protogenous, Agion Anargyron — is the working end of Psyrri, where the bars run to five and the crowd is mostly Greek. East and south is the postcard. It takes about eight minutes to walk from one to the other and the difference in what you pay for a beer is a couple of euros.

Death Disco — goth, darkwave, post-punk

Ogigou 16, Psyrri | OPEN

Death Disco is the black-clothes end of the Athens scene and one of the most consistently well-programmed rooms in the city. Darkwave, synth-pop, post-punk, industrial and cold wave, both as club nights and as live shows: September 2026 alone brought IAMX on the 13th and Light Asylum on the 19th, and the listings run on into 2027. If your taste stops at Sisters of Mercy and starts again at Buzz Kull, this is your building.

Legacy Rock Area — the pirate ship

Sarri 50, Psyrri | OPEN

Legacy Rock Area opened in 2009 as the successor to the old Wizard club and it is unapologetically an eighties and nineties heavy metal bar: old-school heavy, hair metal, the poser end of the catalogue, and an interior decorated to look like a pirate ship. It is not a live venue and it is not remotely fashionable. It is where you go at one in the morning when you want somebody to put on Dokken. Programming and hours move around, so check its Facebook page on the day.

Six d.o.g.s — the garden

Avramiotou 6–8, Monastiraki 105 51 | OPEN

Six d.o.g.s is a bar, café, restaurant, gig space and exhibition room built around a large hidden courtyard garden in an alley off Monastiraki, open 11am to 2am every day of the year. The gig space books homegrown and international acts and the weighting is more electronic and indie than rock, so it is a programme-check rather than a certainty. Go anyway for the garden, which is one of the genuinely lovely spaces in central Athens and a perfect place to start a summer evening.

Romantso

Anaxagora 3, near Omonia 105 52 | OPEN

Romantso occupies the old printing plant of a Greek magazine of the same name, a couple of minutes from Omonia. It is a creative hub and co-working space by day and a bar and small venue by night, with a Funktion-One rig and a stage that carries Greek indie, electronic and experimental acts. Drinks are fair by central Athens standards — craft beer around €4–6, cocktails €7–9 — with no cover on ordinary bar nights and ticketed shows typically €5–15. It is the least rock-orthodox room in this section and one of the best-run.

One more stop for collectors: Bowel of Noise Records at Tzortz 6 by Kaningos Square, a shop specialising in death metal, black metal and the extreme end generally, which also works as a gig booking agency. If you want to know what is actually on this week, ask behind that counter.

04Gazi, Kerameikos & the Pireos Street Corridor

Gazi takes its name from the nineteenth-century gasworks at its centre, now the Technopolis cultural complex, and it became the city's nightlife district in the 2000s when Kerameikos station opened on Line 3. It has since been half-taken by mainstream clubs, but the rock and metal end held its ground in the side streets, and everything with a proper stage in it has drifted onto Pireos Street — the long industrial artery running south-west out of the centre towards Piraeus. Four of the six venues below are within a ten-minute walk of Kerameikos metro. Two are further down Pireos and need planning.

Orientation, because Gazi is confusing on a map: the gasworks chimneys of Technopolis are the landmark, Kerameikos station sits on the square right beside them, and the club strip runs along Persefonis and Voutadon on the Technopolis side. The rock venues are in the quieter streets behind and below — Iakhou, Dekeleon, Triptolemou — a block or two off the main drag, which is why people walk past them all weekend without noticing. Pireos Street itself is the wide, loud, six-lane road that forms the district's northern edge, and Floyd, Bios and Fuzz are all strung along it.

Temple — the club that programmes everything heavy

Iakhou 17, Gazi 118 54 | OPEN

Temple is the mid-size Gazi room that Athenian rockers name first, and it earns it through sheer volume of programming: metal, punk, darkwave and rock live sets on the stage, then techno, drum and bass and IDM DJ sets after. The sound system is loud and good, the prices are low and the door policy is relaxed. The 2026 calendar is a fair sample of the range — Tormentor playing Greece for the first time on 19 September (€35 presale, €40 on the door), Swallow the Sun on 17 October, and a three-day Ladies of Metal Festival earlier in the year at €12 presale a day. Two minutes from Kerameikos station.

Rainbow Metal Club — the dedicated metal bar

Dekeleon 40, Gazi–Kerameikos 118 54 | OPEN

Rainbow Metal Club is the closest thing Athens has to a pure metal bar: a dim, poster-lined room with four video walls playing metal videos and live footage, a floor built for headbanging, themed nights through the week and live sets on Sundays. Every subgenre is fair game. It runs 9pm to 5am Tuesday to Sunday and closes on Mondays, which tells you what kind of bar it is. If you came to Athens for metal and only have one late night, spend it here.

Intrepid Fox — a different genre every night

Triptolemou 30, Kerameikos 118 54 | OPEN

Intrepid Fox is the other Gazi institution and the one most visiting rock fans end up loving: a warehouse-shaped room with album posters over every surface, a pool table in the middle facing a small stage, a pinball machine, an old football table, a boxing machine, sixty-six different shots behind the bar and a roof terrace looking out over the post-industrial quarter. The week has a shape to it — roughly industrial on Tuesday, hardcore Wednesday, newer metal Thursday, metal and stoner Friday, general metal Saturday, stoner Sunday — though it moves, so treat that as a guide rather than a timetable. Doors around 8pm, open to 4am. Two minutes from Kerameikos station.

Floyd — the new big room

Pireos 117, Gazi 118 54 | OPEN

Floyd is the largest of the current crop, built into the rebuilt shell of the old Piraeus 117 Academy (see lost venues) and now the venue that lands most of the serious international bookings. The 2026–27 diary carries The Sisters of Mercy, Satyricon, Snarky Puppy, Sleaford Mods, Uriah Heep, Belle and Sebastian and Soen, with Kreator, Overkill and Paradise Lost also on the books. Shows generally start at 8pm sharp, which is unusually early for this city and catches people out. Kerameikos metro is a five-minute walk.

Bios — the experimental end

Pireos 84, Kerameikos 104 35 | OPEN

Bios is a cultural centre in a Bauhaus-era industrial building on Pireos: a basement club, a bar, a cinema space, exhibition rooms and a roof terrace with an Acropolis view. Be clear what it is — the programme is contemporary art, electronic, experimental and urban culture rather than guitar bands, and the same team is behind Romantso. If your taste runs to noise, industrial and the avant-garde it is essential; if you want a band and a pint it is not. Ten minutes on foot from Thiseio or Kerameikos.

Fuzz Club — where the touring bands land

Pireos 209 & Patriarchou Ioakim 1, Tavros 177 78 | OPEN

Fuzz Club is further out along Pireos in Tavros, and along with Floyd and Gagarin it is where most touring rock and metal bands play in Athens. It has built its reputation on catching bands early — the booking policy is explicitly weighted towards up-and-coming acts, running from metal through to electro-pop — with a solid rig and lighting. Autumn 2026 alone brings Blackbriar on 23 September, Tito & Tarantula on the 25th and Doro Pesch on 9 October. Tavros station on Line 1 is a few minutes' walk; the area is industrial and empty after a gig, so plan the way back before you go.

05Lost Venues

Athens has lost a great deal, mostly to landlords. The financial crisis emptied the city of venues after 2010 and the pandemic finished several of the survivors; what came back came back further out.

Rodon — Marni 24 (1987–2005)

The one everybody still mourns. Rodon opened on Marni Street, off Vathis Square near Omonia, in 1987, and for the best part of two decades it was, as a 2004 Time Out guide put it, the oldest rock club in Athens and for a long time the only one. Iggy Pop, the Ramones, Nick Cave, Sonic Youth, Motörhead and the Pixies all played it. Its most famous night belongs to somebody else's band entirely: on 23 and 24 January 1999, in front of two sold-out crowds of around 2,000 people, Iced Earth recorded Alive in Athens there — still one of the most admired live metal albums ever made, and the reason a generation of metalheads outside Greece know the word Rodon at all. It closed in 2005.

Piraeus 117 Academy — Pireos 117 (2015–2020)

Opened in autumn 2015 and shut in October 2020, killed by the pandemic and, according to its own management, by an immovable landlord. For five years it was the best-equipped concert room in the city. The building did not stay dark: it was gutted, rebuilt and reopened as Floyd, which is why the address in the section above will look familiar if you were here a decade ago.

Second Skin — last at Damokleous 8, Gazi (closed)

For years Second Skin was the goth, industrial and EBM institution of Athens — main floor for the dark electronics, upstairs floor for metal — and it moved several times, from Konstantinoupoleos to Agion Anargyron and finally to Damokleous 8 in Gazi. It is now permanently closed, and its own former web address says so plainly. Old listings and map pins for it are still everywhere; ignore them. Death Disco has inherited most of the crowd.

Decadence — Voulgaroktonou 69, Exarcheia (closed 2009)

The strangest and best-loved lost venue in the city. Decadence opened in the late 1970s in a 1934 neoclassical house on the flank of Strefi Hill that had belonged to a senior figure of the military junta, and under journalist Nikos Lakopoulos from the early 1990s it became the hiding place of the Athenian underground: poets, punks, artists, theme nights, screenings, its own newspaper. Nick Cave and Iggy Pop turn up in every account of the place. It closed in 2009 after an eviction. Since then there have been at least two well-publicised attempts to bring it back — in 2017 and again in the early 2020s — and neither has produced a stable, open venue we could confirm for 2026. If somebody tells you Decadence is open, they may be right for that week; check before you go.

Wizard — Psyrri

Worth a line because its successor still trades on it. Wizard was the old-school heavy metal bar of Psyrri, and Legacy Rock Area on Sarri Street was opened in 2009 explicitly as its sequel, pirate-ship décor and hair-metal jukebox included.

There is a wider pattern here worth knowing before you trust a search result. Athens lost venues in two waves — the debt crisis after 2010, then the pandemic — and the aggregator sites never caught up. Several rock bars that still rank on Google, still hold a map pin and still show a phone number have not opened a door in years, and a couple of names that circulate on English-language round-ups (Bat City, Rodeo, Alcatraz, the old Rock 'n' Roll Circus) we could not confirm as trading in 2026 at all. If a venue is not in the open list above, assume it is gone until the venue's own social page proves otherwise.

06Practical Tips

Getting Around

  • Metro: three lines. Line 1 (green, Piraeus to Kifissia) serves Victoria for Kyttaro, Kato Patisia for Gagarin 205 and Tavros for Fuzz. Line 2 (red) and Line 3 (blue) cover the centre; Kerameikos on Line 3 is the station for Temple, Rainbow, Intrepid Fox and Floyd. Omonia is the closest stop to AN Club.
  • Last trains: services stop around midnight most nights. On Friday and Saturday nights Lines 2 and 3 run later — roughly to 2am — but Line 1 does not. Check the last train before you commit to a venue outside the centre, because midnight is when an Athens night is only starting.
  • Night buses: the OASA night network covers the city once the metro shuts. Route 040 between Piraeus and Syntagma runs around the clock, as does trolleybus 11, which is useful for the Exarcheia and Patisia side.
  • Taxis: Athens taxis are yellow, metered and cheap by northern European standards. Book through an app — FREENOW or Uber, which in Greece dispatches licensed taxis rather than private cars — so the fare and the route are recorded. Insist on the meter if you hail on the street.
  • Walking: Exarcheia to Psyrri is about twenty minutes on foot and Psyrri to Gazi another fifteen, all of it flat and lit. That triangle is walkable; Gagarin and Fuzz are not.

What It Costs (September 2026)

The euro was worth roughly £0.86 at the time of writing. Rates move; treat the sterling figures as indicative.

  • Beer: around €5–6 (£4.30–5.15) in a normal neighbourhood bar, and often €4 or less in the Exarcheia rock bars. Ask for a bira; Greek lagers are Mythos, Alfa and Fix, and the craft scene is good and getting better.
  • Cocktails: €7–9 in the rock bars and at Romantso, €12–18 in the serious cocktail rooms of Kolonaki and Monastiraki.
  • Club shows: €10–30 presale at AN Club; Temple runs from about €12 for a festival day to €35 for a big international name. Presale is consistently cheaper than the door.
  • Bigger touring bands: broadly €25–40 at Fuzz, Gagarin 205 and Floyd, depending on the act.
  • Transport: 90-minute ticket €1.20 (valid across metro, bus, trolleybus and tram, with transfers), 24-hour pass €4.10, 5-day pass €8.20. Airport metro is separate: €9 single, €16 return within 48 hours. Validate before you travel.
  • Tickets: most Greek gigs sell through more.com, or directly from the venue's own site. Buy in advance for anything at Floyd or Fuzz; club shows at AN Club or Temple will usually have door tickets.

Timing: Late Nights and Empty Summers

  • The clock: bars fill after 11pm and run to 3, 4 or 5am. Rainbow closes at 5am, Intrepid Fox at 4am, Six d.o.g.s at 2am. Arriving at nine means drinking alone.
  • Summer: this matters more in Athens than anywhere else in this series. From roughly late June to early September the indoor venues largely stop programming — it is too hot, and the city empties for the islands — and the scene moves outdoors. Release Athens takes over Plateia Nerou, the SNFCC Clearing and the Lycabettus Theatre through June and July; Rockwave Festival runs at Terra Vibe Park in Malakasa, about an hour north of the city. If you are visiting in July or August, your rock night is a festival, not a club, and the bars are the backup.
  • Shoulder season: September to November and March to May are the best months for this guide. The programme is dense, the weather is fine, and the outdoor courtyards are still open.

How an Athens Gig Night Actually Runs

A door time on a Greek poster is a door time, not a stage time. At the club venues the advertised hour is when the room opens and the first band goes on perhaps an hour later, with the headliner frequently after eleven; at AN Club or Temple it is normal to arrive at ten and still catch everything. The exception is the big rooms — Floyd in particular starts at eight and means it, because of neighbourhood noise limits and the length of the bill. The result is a useful two-part night: an early show on Pireos Street, then a metro or a fifteen-minute walk back into Psyrri or Exarcheia for the bars, which will not have properly filled until you get there.

Etiquette and Small Print

  • Smoking: banned indoors in hospitality venues since 2010 and tightened in 2019, with fines on paper of up to €500 — and widely ignored in exactly the sort of small neighbourhood bar this guide sends you to. Enforcement is stricter in the tourist centre than in Exarcheia. If cigarette smoke indoors is a problem for you, sit outside; almost everywhere has pavement tables.
  • The drinks scam: a real and long-running Athens problem, mostly around Syntagma, Plaka and Omonia. The pattern is a friendly local — often a pair, often flirtatious — who suggests moving to a bar they know, after which the bill arrives at five or ten times what you drank and a doorman appears. Choose the bar yourself, ask for a printed menu before you order, pay by card, and call the Tourist Police on 171 if a bill is being enforced by muscle.
  • Cash: cards are accepted almost everywhere now, but the smaller Exarcheia bars still prefer cash. Carry €30–40.
  • Language: English is spoken by bar staff essentially everywhere in these neighbourhoods. Mia bira parakalo gets you a beer, efharisto is thank you, yamas is cheers.
  • Check before you go: Athens venues change hours constantly and several long-listed rock bars in this city closed years ago while their map pins survived. Everything marked OPEN above was verified against venue sites, current listings and mapping data in September 2026 — but look at the venue's own page or Facebook on the day before you cross the city for it.

The Pilgrimage Checklist

  • AN Club — a band in the oldest rock room in Greece
  • Kyttaro — stand in the room where Greek rock started, in 1970, under a dictatorship
  • Rainbow Metal Club — stay until the video walls stop making sense
  • Intrepid Fox — pool, a rooftop and sixty-six shots
  • Death Disco — wear black, arrive after midnight
  • Marni Street — walk past number 24 and think about Alive in Athens

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