The Complete Guide to Rock Bars in London

Before stadium rock, before punk, there was a network of small, often unlicensed venues in West London and Soho where British R&B was invented. This circuit—concentrated around Ealing, Richmond, and the damp basements of Soho—fundamentally altered the trajectory of popular music.

The Ealing Club — Ground Zero

42A The Broadway, Ealing, W5 | Now: The Red Room nightclub

If there is a "Ground Zero" for British rock, it's a basement opposite Ealing Broadway station. Opened in 1959 as a jazz venue, The Ealing Club became the focal point for the nascent British R&B scene in 1962 under Alexis Korner and Cyril Davies.

The venue's significance lies in its function as a networking hub. On March 17, 1962, Charlie Watts began playing here with Blues Incorporated. More pivotally, it was the specific location where Mick Jagger and Keith Richards first encountered Brian Jones—the catalyst for the formation of The Rolling Stones. The Who (then The Detours) also used the club in 1964-65 to sharpen their "Maximum R&B" aesthetic.

The Crawdaddy Club — The Stones' Launchpad

Station Hotel, Richmond | Historic site, recently revived

Founded by impresario Giorgio Gomelsky, The Crawdaddy Club was the first venue to fully capitalize on the R&B explosion. In February 1963, The Rolling Stones began a residency here that would become legendary. The name came from Bo Diddley's "Doing the Craw-Daddy," a staple of their set.

The atmosphere was frenetic—Gomelsky famously had to plead with hotel patrons to enter the back room initially, but within weeks, queues stretched down the street. It was here on April 14, 1963, that The Beatles visited to watch the Stones, a summit that cemented the professional respect and rivalry between the two groups.

The Scotch of St James — Swinging London's Apex

Mason's Yard, St. James, SW1 | Now: Private club/events venue

Hidden in a cul-de-sac in the aristocratic St. James district, "The Scotch" was the apex of Swinging London, replacing the Ad Lib Club as the primary watering hole for the Beatles, Stones, and fashion elite.

Its historical significance is anchored by one night: September 24, 1966. On the evening of his arrival in the UK, Jimi Hendrix visited The Scotch and asked to join the house band on stage. His impromptu performance left the gathered British rock royalty—including members of The Beatles and The Who—stunned, effectively announcing the arrival of a new musical paradigm. It was also here that Hendrix met Kathy Etchingham, his muse and partner.

The Speakeasy Club — The Industry Lock-In

48 Margaret Street, W1 | Closed 1978

"The Speak" represented a shift from teenage frenzy to the decadent exclusivity of the rock aristocracy. Managed by Laurie O'Leary (a childhood friend of the Kray twins), this late-night haven drew musicians, agents, and label executives.

Jimi Hendrix was a frequent patron, famously jamming with bands. The Beatles used the venue to host The Monkees in 1967—a clash of cultures that inspired the song "Randy Scouse Git." The venue's "coffin" entrance and Al Capone mural signaled its prohibition-era theme. In 1977, the Sex Pistols celebrated their A&M signing here—until Sid Vicious assaulted Old Grey Whistle Test presenter Bob Harris with a bottle, leading to the band being dropped the next day.

Before Punk could deconstruct rock music, the Pub Rock movement had to build the stage. Reacting against the remoteness of Prog Rock and the glitz of Glam, Pub Rock bands utilized the underused function rooms of large Victorian pubs, primarily in North London. This "circuit" established the touring infrastructure that Punk would hijack in 1976.

The Tally Ho — The Big Bang

Kentish Town | Demolished 2006

The Pub Rock era has a definitive start date: May 1971, at The Tally Ho in Kentish Town. The American country-rock band Eggs Over Easy convinced the landlord to break the venue's strict jazz-only policy on Monday nights. This residency was revolutionary—it proved that rock bands could play in pubs without theatrical stages or elaborate lighting.

Local musicians like Nick Lowe and Brinsley Schwarz were in attendance, inspired to strip their sound back to its roots. The success at The Tally Ho encouraged other landlords to open their doors to rock bands, birthing an entire movement.

The Hope & Anchor — The Cathedral

207 Upper Street, Islington, N1 | STILL ACTIVE

While The Tally Ho started it, The Hope & Anchor professionalized it. Under the management of Fred Grainger and Dave Robinson (who would co-found Stiff Records), this became the premier venue for the scene.

The venue's importance cannot be overstated. It was the testing ground for Dr. Feelgood's aggressive R&B and The Stranglers' menacing stage presence. The Stranglers effectively held a residency in 1976, and their Live at the Hope and Anchor album documents the sweat-drenched intensity. In 1977, facing closure, the venue hosted the "Front Row Festival," a three-week showcase recorded for a hit live album.

The Nashville Rooms — Where The Clash Was Born

West Kensington | Now: The Famous Three Kings

The Nashville Rooms was the critical link between Pub Rock virtuosity and Punk nihilism. Originally a country music venue, it transitioned to hosting "souped-up R&B" acts like The 101ers.

On April 3, 1976, the Sex Pistols supported The 101ers (fronted by Joe Strummer). Watching the Pistols' chaotic incompetence and raw power, Strummer realized his own pub rock sound was obsolete. This gig directly led to the dissolution of The 101ers and the formation of The Clash.

The Supporting Network

The circuit relied on a constellation of venues creating a nightly economy for gigging bands:

• The Greyhound (Fulham Palace Road): A massive venue hosting major acts. AC/DC played here shortly after arriving in the UK.
• The Brecknock (Camden): Part of the "Holy Trinity" of North London pubs, hosting early gigs by Squeeze, The Jam, and Cock Sparrer.
• The Lord Nelson (Holloway Road): Key stop for Dr. Feelgood and Geno Washington, part of the Holloway Road rock corridor that included Joe Meek's studio.

When the Sex Pistols and The Clash were banned from the pub circuit due to violence, the scene required its own infrastructure. This led to purpose-run clubs and the occupation of larger, decaying theaters.

The 100 Club — Hallowed Ground

100 Oxford Street, W1 | STILL ACTIVE

The 100 Club is perhaps London's most historically significant music venue. This basement on Oxford Street hosted the legendary 100 Club Punk Festival in September 1976, featuring the Sex Pistols, The Clash, Siouxsie and the Banshees, and The Damned. Before punk, it was a jazz club where the Rolling Stones played.

The venue is still operating today, hosting live music across genres. The basement room remains remarkably unchanged—the same low ceiling, the same stage where punk exploded.

The Roxy Club — The 100 Days

41-43 Neal Street, Covent Garden | Now: Retail shop

The Roxy was the first venue in London dedicated exclusively to punk. Opened in December 1976 by Andrew Czezowski in a converted vegetable warehouse, it ran for a legendary "100 nights" that defined the subculture.

The gala opening on January 1, 1977, headlined by The Clash and The Heartbreakers, is considered the moment the scene coalesced. The physical space was crucial: a street-level bar leading to a basement stage created a claustrophobic intensity where the barrier between performer and audience dissolved.

Don Letts, the resident DJ, played heavy dub reggae between the fast punk sets—a cultural fusion that would fundamentally shape The Clash, The Slits, and Post-Punk. Every major punk band played here (except the Pistols), and the album Live at the Roxy WC2captured the raw, amateurish energy.

The Rainbow Theatre — The Punk Cathedral

Seven Sisters Road, Finsbury Park | Now: UCKG Church

With a capacity of 3,000, The Rainbow allowed punk to scale up. Originally a cinema, it hosted The Clash's "White Riot" tour in 1977. During the performance of the title track, the audience ripped the seats from the floor—an event dubbed the "Punk Wreck" that marked the moment punk entered the realm of mass spectacle.

Dingwalls — The Ramones Effect

Camden Lock | STILL ACTIVE

Opened in 1973, Dingwalls was instrumental in the punk timeline. On July 4-5, 1976, The Ramones played The Roundhouse and then Dingwalls. These gigs are legendary for "speeding up" the London scene—members of The Clash and Sex Pistols were in attendance and were spurred to play faster and harder.

The New Wave of British Heavy Metal (NWOBHM) didn't emerge from trendy Soho clubs, but from the working-class pubs of London's East End. Iron Maiden's history is anchored in a specific triangle of venues that any metal pilgrim should know.

The Cart & Horses — The Birthplace

1 Maryland Point, Stratford, E15 | STILL ACTIVE (Refurbished)

The Cart & Horses is officially the "Birthplace of Iron Maiden." It was here in 1976 that Steve Harris debuted the band, testing early material until they grew too large for the room in 1978.

Following a massive refurbishment in 2022-2024 (which involved building flats above the pub), the basement venue has been preserved. It heavily markets its heritage, serving Iron Maiden's "Trooper" beer and hosting tribute acts and former members.

The Ruskin Arms — The Spiritual Home

High Street North, East Ham, E12 | Closed/Repurposed

If the Cart was the birthplace, The Ruskin Arms was the incubator. Run by former boxer Joe Lucy, this venue became the "House of Maiden" in the late 70s. Here the classic lineup began to gel and the band developed their theatrical stagecraft.

The venue was immortalized on the back cover of the Somewhere in Time album. Fans remember it as a rowdy "metal disco" environment. Sadly, the venue is now closed.

The Bandwagon (Heavy Metal Soundhouse) — The Catalyst

Prince of Wales Pub, Kingsbury | Demolished

The Bandwagon was unique—not a live venue but a "Heavy Rock Disco" run by DJ Neal Kay. Kay built a massive PA system called The Soundhouse and blasted demo tapes of unsigned bands.

In late 1978, Iron Maiden recorded a demo at Spaceward Studios in Cambridge on New Year's Eve (to save money, costing just £200). They gave the tape to Neal Kay. He played "Prowler" at The Bandwagon, and it became the #1 requested song. This grassroots buzz led to the release of The Soundhouse Tapes EP, creating the momentum that secured their EMI contract.

Camden is the beating heart of London's rock scene. This is where Amy Winehouse held court, where Madness got their start, and where countless bands have cut their teeth on sticky stages. The neighborhood itself is a pilgrimage site—from the markets to the murals, rock culture is everywhere.

The Dublin Castle

94 Parkway, NW1 | STILL ACTIVE

The Dublin Castle is arguably London's most important rock pub. This unassuming venue on Parkway has hosted everyone from Blur to Amy Winehouse. Madness played their first gig here in 1979. The back room still hosts live music most nights, and the front bar maintains its classic pub atmosphere.

The Underworld

174 Camden High Street, NW1 | STILL ACTIVE

Beneath the World's End pub lies one of London's premier rock venues. The Underworld has hosted virtually every major rock and metal act you can name—Metallica, Green Day, and countless others have played secret shows in this 500-capacity basement. It's grimy, loud, and absolutely essential.

The Black Heart

Greenland Place, NW1 | STILL ACTIVE

Hidden down an alleyway, The Black Heart is the premier modern metal pub in London. Décor mixes religious iconography and biker aesthetics. The small, sweaty 150-cap venue upstairs hosts killer metal and punk shows.

The venue survived the pandemic through a massive £150k crowdfunding campaign—proof of its vital status to the community. The downstairs bar has an exceptional whiskey selection and plays crushing metal at appropriate volumes.

The Devonshire Arms (The Dev)

Kentish Town Road, NW1 | STILL ACTIVE

The longest-surviving Goth pub in London. Formerly "The Hobgoblin," it has been a sanctuary for the dark alternative scene for decades. It's the go-to spot for the industrial/goth crowd and was a favorite haunt of The Pogues in the 80s.

Soho might be known for its nightlife and theaters, but it's also home to some of London's most historic rock venues. This is where British R&B took root, where punk exploded, and where rock royalty still comes to play. The West End has lost many venues to gentrification, but key spots remain.

The 100 Club (Revisited)

100 Oxford Street, W1 | STILL ACTIVE

As noted in the Punk section, The 100 Club is essential. Beyond the 1976 Punk Festival, this basement has hosted The Rolling Stones (1962), The Who, and virtually every major British rock act. It's still operating, hosting jazz, blues, and rock most nights.

Denmark Street — Tin Pan Alley

Denmark Street, WC2 | Historic street

London's "Tin Pan Alley" is where the music industry lived for decades. The legendary 12 Bar Club (which hosted early Jeff Buckley and Adele shows) sadly closed in 2015 due to Crossrail development. The street itself still holds music history in every shop and studio—Elton John wrote "Your Song" here, the Sex Pistols recorded demos upstairs.

The Ain't Nothin' But Blues Bar

20 Kingly Street, W1 | STILL ACTIVE

For blues-influenced rock, this Soho institution delivers nightly. It's small, sweaty, and the perfect antidote to polished West End entertainment. Live music every night, no cover charge on weekdays.

Crobar — The Lost Legend

Manette Street, W1 | CLOSED (Seeking new location)

The legendary metal bar of Soho closed in June 2020 due to landlord disputes. Crobar was THE metal spot in the West End for decades. While the owners raised over £40k via crowdfunding to reopen, a permanent new location remains elusive, leaving a significant void in Soho's rock geography.

The stretch from Angel to Holloway has been rock territory since the Pub Rock days. This corridor, anchored by The Hope & Anchor, contains some of London's best remaining rock bars.

The Hope & Anchor (Revisited)

207 Upper Street, N1 | STILL ACTIVE

The cathedral of Pub Rock, still standing and still hosting live music. The basement room where The Stranglers developed their sound is largely unchanged. This is essential pilgrimage material.

Slim Jim's Liquor Store

112 Upper Street, N1 | STILL ACTIVE

A "masterful purveyor of good times," this venue maintains a strict "dive bar" aesthetic with bras hanging from the ceiling. Notable for offering free entry live gigs in an area (Angel) that has largely gentrified. Great whiskey selection, rock 'n' roll jukebox.

The Lexington

96-98 Pentonville Road, N1 | STILL ACTIVE

A "classic American rock lounge" famous for its bourbon selection. The upstairs venue is a key stop for touring indie bands—Tame Impala and The Black Keys have played early shows here. It serves as a primary industry hangout and books quality live music most nights.

Big Red

Holloway Road, N7 | STILL ACTIVE

An institution for North London rockers. Designed as an American dive bar with booths and neon signs, it's a late-night hub for the biker and rock community. The venue narrowly escaped closure in 2019 due to rent hikes—community support kept it alive.

East London—particularly Shoreditch and Hackney—became the epicenter of indie rock in the 2000s. While the area has gentrified significantly, several key venues remain, and new spots have emerged with distinct character.

The Old Blue Last

38 Great Eastern Street, EC2A | STILL ACTIVE

This Shoreditch pub, owned by Vice Magazine, has been crucial for breaking new bands. Arctic Monkeys played one of their first London shows here. It's free entry, music most nights, and maintains a refreshingly unpretentious atmosphere despite its hip location.

Moth Club

Valette Street, Hackney, E9 | STILL ACTIVE

Housed in an ex-servicemen's club (Memorable Order of Tin Hats), it retains its glittering gold ceiling and 1970s social club décor. It's the hipster favorite for cutting-edge indie and alternative comedy, having hosted secret sets by Dave Grohl and Lady Gaga.

Helgi's

Mare Street, E8 | STILL ACTIVE

Representing the migration of heavy music to East London, Helgi's offers a "psychedelic doom" vibe. It markets itself as a cross between a "witches' coven and hell," serving absinthe cocktails and hosting doom/sludge bands in a blackened back room. One of the few places in East London that plays heavy music.

The Garage

20-22 Highbury Corner, N5 | STILL ACTIVE

Opened in 1993, this 600-capacity venue is a rite-of-passage for touring bands. It has hosted secret shows by The Killers and a seminal 1994 gig by Jeff Buckley. It remains a crucial mid-sized touring stop, with excellent sightlines and sound.

Brixton has emerged as one of London's most vibrant rock neighborhoods. Home to the legendary Brixton Academy and a thriving independent scene, it's essential for any rock pilgrimage.

The Windmill

22 Blenheim Gardens, SW2 | STILL ACTIVE

The Windmill Brixton is ground zero for London's current rock underground. This small pub venue has been crucial in launching bands like Black Midi, Squid, Dry Cleaning, and Black Country, New Road. It's the spiritual successor to venues like The Dublin Castle—a place where tomorrow's legends play tonight.

O2 Academy Brixton

211 Stockwell Road, SW9 | STILL ACTIVE

While not a bar, the 5,000-capacity Brixton Academy is one of London's most beloved rock venues. The sloped floor and art deco interior create an incredible atmosphere. Everyone from The Smiths to Arctic Monkeys has played here. If there's a big rock show in London, it's probably at Brixton.

New Cross Inn

323 New Cross Road, SE14 | STILL ACTIVE

The bastion of the South London scene, specializing in punk, ska, and hardcore. It serves as a vital node for touring bands who bypass the more expensive central London venues. Proper dive bar energy, excellent for discovering new punk bands.

The Fighting Cocks (Kingston)

56 London Road, Kingston upon Thames | STILL ACTIVE

Technically Greater London rather than South London, but worth the journey. Historically a jazz venue in the 1930s, it's now the hub for punk and hardcore. Closely linked with Banquet Records, it hosts album launch shows for major acts like Frank Turner and Gallows.

Many of London's greatest rock venues have been lost to gentrification, development, or changing times. These venues shaped rock history even though you can no longer drink in them.

The Marquee Club

90 Wardour Street, Soho | Closed 1996, various revivals

Impossible to omit from any comprehensive guide. The Marquee's move from Oxford Street to Wardour Street in 1964 placed it at the heart of the industry. It was the site of The Who's residency, Hendrix's showcases, and the filming of Bowie's 1980 Floor Show. It embraced Jazz, R&B, Psych, Prog, Punk, and NWOBHM sequentially.

The Rock Garden

Covent Garden | Now: Apple Store

Opened in 1976, this basement venue was a staple of the New Wave scene, hosting the first London gigs for U2 and The Smiths. By the 90s it had morphed into a dance club. Today the site houses an Apple Store—a stark symbol of Covent Garden's gentrification.

The Astoria

157 Charing Cross Road | Demolished for Crossrail

The 2,000-capacity Astoria (and its smaller sibling Mean Fiddler next door) was demolished to make way for Crossrail. Countless legendary shows happened here. The loss still stings.

Hammersmith Palais

242 Shepherd's Bush Road | Demolished

Immortalized by The Clash in "(White Man) In Hammersmith Palais." Joe Strummer visited for an all-night reggae showcase in 1977, expecting "roots rock rebel" music. His disillusionment with the commercial performance inspired one of punk's most sophisticated lyrics. Now demolished.

Nambucca

Holloway Road | Closed 2022

Historically pivotal for the "Nu-Folk" (Frank Turner, Mumford & Sons) and Libertines-era indie scenes. Succumbed to economic pressures in 2022—a recent loss that still hurts.

Best Nights to Visit

• Thursday-Saturday: Best for catching live bands at most venues. Bigger acts play weekends.
• Sunday: Many venues host acoustic sessions or open mic nights. Good for recovering from Saturday.
• Weeknights: Often free entry and less crowded. Great for discovering new bands—many venues book emerging acts Monday-Wednesday.

The Rock Pub Crawl

Camden Route (3-4 hours): Start at The Dublin Castle for an early pint, walk to The Underworld to check what's on, hit The Black Heart for metal and whiskey, end at The Dev for late-night goth vibes.

Islington Route (2-3 hours): Hope & Anchor for history, Slim Jim's for dive bar energy, The Lexington for bourbon and a quality show.

Getting Around

London's tube system makes venue-hopping easy. Key stations:

• Camden Town: Dublin Castle, Black Heart, The Dev, Dingwalls
• Oxford Circus / Tottenham Court Road: 100 Club, Denmark Street
• Angel: Hope & Anchor, Slim Jim's, The Lexington
• Brixton: The Windmill, O2 Academy
• Stratford: Cart & Horses (Iron Maiden birthplace)

Dress Code

London rock venues are refreshingly unpretentious. Wear what you want—band t-shirts are always appropriate. The only venues with stricter policies are mainstream clubs, and if you're reading this guide, you're probably not going to those.

Drinking Culture

Pubs typically close around 11pm on weeknights, later on weekends. Venues with live music often stay open until 2-3am. A pint costs £5-7 in most rock bars (more in central London). Tipping isn't expected at bars but is appreciated.

The Pilgrimage Checklist

Essential stops for the serious rock historian (explore more London rock bars):

• ☐ The 100 Club — Where punk exploded
• ☐ The Hope & Anchor — Cathedral of Pub Rock
• ☐ The Dublin Castle — Where Madness and Blur started
• ☐ Cart & Horses — Iron Maiden's birthplace
• ☐ The Black Heart — Best modern metal bar
• ☐ The Windmill — Where tomorrow's bands play today
• ☐ Dingwalls — Where the Ramones changed everything

Related Guides

Continue your rock journey with these guides:

• Punk Bars Worldwide — London's punk scene in global context
• Metal Meccas — NWOBHM and beyond
• Berlin Rock Bars — Europe's other punk capital
• NYC Rock Bars — London's transatlantic cousin