Situated at 315 Bowery in Manhattan's Lower East Side, CBGB stands as perhaps the most paradoxically influential venue in music history. Opened on December 10, 1973, by Hilly Kristal, the club's name was an acronym for "Country, Bluegrass, Blues," the styles Kristal originally intended to showcase. Yet, the venue became the undisputed "ground zero" for American punk and new wave. The physical space was essential to its legacy—a narrow, deep tunnel-like room with walls layered in decades of flyers, graffiti, and grime. Kristal's management philosophy was revolutionary: bands could play, but they had to perform original music. This rule birthed a scene of unparalleled creativity.
The birthplace of American punk rock and new wave. CBGB incubated The Ramones, Television, Patti Smith, Blondie, and Talking Heads in the mid-1970s. In the 1980s, it became the epicenter of New York Hardcore (NYHC), hosting Agnostic Front, Cro-Mags, Murphy's Law, and Gorilla Biscuits. The venue's "dank tunnel" aesthetic fostered a sense of danger and authenticity that defined the punk rejection of mainstream polish. Added to the National Register of Historic Places in 2013 as part of the Bowery Historic District.
Bands must perform original music only - no covers. This rule, born of a desire to avoid paying ASCAP fees, forced local bands to develop their own material and was key to the venue's creative legacy.
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We're collecting stories from musicians who performed at CBGB